About

Magnus Baikie has spent most of his career attempting to warm the planet (his home country of Canada is rather frigid). As it appears that he has not been too successful in his endeavor (Canadian summers still being more of an attitude than a season) he decided to write a book. Magnus has been an avid consumer of history and fantasy novels since the age of eight and so produced a historical fantasy.
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F.A.Q
I’ve watched way too many movies and television in my lifetime so everything starts visually (I’ve also always been a daydreamer – pacing around imaging things as long as I can remember). The scene with Marcus staring at his new bride was what I stated with (it’s the main reason I kept a scene in the very middle of the book as the first thing you read), I then placed Marcus and Septimus as teenagers in the Orphanage (Timolen came later), and then I started on what was to become Part III of the story. This is what I recall anyway. After I have it all worked out from start to finish, I start writing, and it all goes sideways.
I think I have it down pat, write a chapter, and realize it’s all wrong. Re-write the chapter at least once, pass it to my reviewer (my wife Lisa) who tells me what’s really wrong. Supposedly I am terrible at starting paragraphs (let alone a chapter), but pretty good at finishing. I also need to read a book on the correct use of punctuation (this was confirmed by my publisher’s proofreaders). Then I re-write the chapter (I learned to pass more than a single chapter at a time to the critical one) and continue. As you write you realize you need to add passages or even entire chapters – you can’t have someone urging her husband to murder children and then jump to having the wife overcome by guilt (I will always maintain that the Bard messed up in that play). At the end I passed it to my development editor that also points out what I am missing – so back to adding things. My fast paced (I hope it still reads as fast paced) stripped down adventure story ends up being over 130,000 words – but it is a complete story in a single book!
Honest answer: I didn’t intend the story to be, but it just happened. In fact, my introductory scenes at the start of the chapters in part I were not in first person – my reviewers quickly slapped me down on that. First person does have some very real advantages. There is no annoying background voice from the author describing the action or telling you how people feel. The characters do that themselves. More specifically, a narrator will tell you their impression of another character which can be a few steps removed from the truth. Everyone assumes Marcus is someone who is always this confident leader (Captain Serious) that is two steps ahead of everyone else, but when Marcus is the narrator you quickly realize he is not so self-assured (one character does accuse him of sometimes making it up as he goes along). Thanks to early reviews I do designate the narrator for clarity.
The short and not so short blurbs at the start of each chapter in Part I are not in sequence – all the actual chapters all. I added the blurbs because I wanted to introduce all of my characters to the reader in Part I (got most of them). The first scene is what first started me off so that’s where it stayed (and it’s a great scene). The reader can work-out when the blurbs occur, but to save you the agony here is a rough timeline: the three scenes with Marcus and Isolde occur right after the conclusion of Part II, so roughly ten years later than the actual chapter; the single scene with Isolde and her brothers is three years into the Celtic war, about four years ahead of the chapter it’s placed in; the two scenes with the Magyars are seven to eight years earlier than their chapter, and the scenes with the Huns could be in real time (how long would it take to unite the Huns?). Isolde is about twelve years old in the scene with her brothers, which would make Brianna only around ten years old when you catch the glimpse of her going hunting.
I never give a reason as to why Marcus keeps Antonia’s identity secret from the Celts. If you remember one of the reasons that the historical Attila gives for his invasion of the Western Empire (avoided the R word again) I am sure my intelligent readers can work that one out. There is a lot I leave for my readers imagination (that is intentional). The last character I added to the novel was Cat. Septimus is always getting grief from his employees and young COBs – he needed an independent minded cat to complete the picture. Cat really needed to make a final appearance. If I ever do an audiobook (this tome needs some sales first), I’ll try to slip it in.

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